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Mo Rhythm #2 part 1

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Mo Rhythm #2 part 1

Bass Player Live 2013 recap featured in Bass Player Magazine

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San Francisco by Will Snyder

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Will Snyder is an amazing musician/composer. I had the pleasure of awarding him the first ever Wes Wehmiller Scholarship at Berklee. Will continues to produce real cool music. It was a joy being able to contribute bass to this track!

Check Out JamPlay.Com for Bass!!

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Click here to visit JamPlay.com now! Use the coupon code below to get 50% off your first month:
dannym50

HAPPY NEW YEAR 2014

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Modes Modulating Etude

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Modes-Modulating_-Mo-Method-1

Modes Modulating: Mo Method

with Bass

without bass

Family Reunion featuring Cleveland Jones!

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FREE YARD SALE BY CLEVELAND JONES featuring Cleveland lead voc,
Satarra, Wambura, Angie, Nana bu vocals
Marty Walsh gtr, Jiri acoustic piano, Zack Hammond B3, Jeremy trumpet, Dave B tenor sax, Sean Skeete drums, D Mo Fender Bass


It’s Over by Cleveland Jones

D Mo’s Family Reunion 10/21/13

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Ain’t Got Nothin’ But The Blues/ Perfect Love

with Thaddeus Hogarth guitar, vocals and Tony “Thunder” Smith drums

Creating Original Bass Lines on JamPlay

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Click here to visit JamPlay.com now! Use the coupon code below to get 50% off your first month:
dannym50

G Major Etude

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Reading music as a “whole” language requires a skillset that takes rudiments such as scales and arpeggios which when combined with an aesthetic component such as groove, timbre, and phrasing make music. Take this etude in G major and work thru the patterns of scales and chords. Pencil in each idea as this will help you see the individual notes as “music”, a song. Post me your work, I’d be glad to comment on it. Its an exercise in music theory. The more you work with theory and apply it to your bass playing and reading, the better your musicianship skills will develop.
thanks, D Mo
Click to open PDF of G Major Etude

version 1 G Major Etude with bass (roundwounds)

version 2 G Major Etude with bass (flatwounds)

version 2 G Major Etude without bass